TRIBAL FACE PAINT Native American Indian

Native American tribal face paint sets off the Native American regalia of Ernest Big Medicine, Southern Cheyenne, El Reno, Oklahoma.

(This is an unposed action dance picture -- it is a genuine face of Native American Indian.)

ERNEST BIG MEDICINE Southern Cheyenne

A traditional men's northern contemporary dancer, Ernest Big Medicine's Cheyenne tribal regalia includes a massive feathered headdress ( dog soldiers cap ) and shoulders, white animal furs, handmade collar, necklace with colorful tribal designs patterns designs.

Cheyenne Dog Soldiers pbs.org • CHEYENNE DOG SOLDIERS manataka.org

Ernest Big Medicine is no newcomer to pow-wow dance competition. The seasoned dancer has been dancing "since I was seven years old...I love being in the battle zone of all the Tradish Bros," he said in an exclusive KUMEYAAY.INFO interview.

Ernest Big Medicine is a member of the Bow-string Society of Sieling Oklahoma, and said he paints his face after "war, till the death, 'Back in the Day' was a fiercest warrior of all."

FAMOUS POWWOW PHOTOGRAPHER writing website design digital art portfolio by Gary G. BALLARD San Diego California USA.

AUTHENTIC FACE PAINTING INFORMATION RESEARCH:


CALIFORNIA INDIAN FACE PAINT
-- The pictures and writing in this section are parts of Paul Campbell's newest book (unreleased), EARTH PIGMENTS AND PAINT: MEANING AND TECHNOLOGY. His fully-researched book will include all facets of Native California pigments and paint, including physical, social, spiritual — in great detail — and will reveal how the Indians turned yellow pigment red, and about how they made blue from white gypsum and black charcoal, and it will give many other recipes for Indian paint. The book will also discuss the origin of CAVE ART in California, and the latest atomic accelerator testing of the ancient pigments used by the California Indians.

OLD MODOK INDIAN BOW ARROW

AUTHENTIC SOUTHERN CALIFORNIA TRIBAL REGALIA:

This is what authentic San Diego-area Aboriginal tribal regalia looks like -- body, chest, arms, legs and face paint, bandannas, feathered headdresses, spears, bows and arrows ready in hands.

I can imagine it's how the 16th and 18th century tribesmen appeared on the shorelines and villages of "Discovery" 1542, and "Invasion" (1760s):

TRIBAL BODY AND FACE PAINT, Kumeyaay Kuseyaay, full body paint, feathered headdresses, bows and arrows, 1992 in San Diego.

Top: San Diego region Indigenous Cahuilla men pictured 1892 at the 350-year Cabrillo anniversary of "Discovery" in San Diego (possibly at the Indian encampment at 4th and A streets).

Notice their full body, chest, face and leg paint, feathered headdresses, painted bows, and thatched ewaas/kichas behind the group. The dark cloth draped around their waists also tells a story of mismatched culture between Aboriginal and immigrant standards of public decency.

Lower row: A 19th century Ipai kuseyaay medicine man (shaman) on left is wearing a tribal headdress adorned with owl and hawk feathers, and fiber net skirt with attached eagle feathers, in addition to full body painting. He is a Kumeyaay spiritual, ritual, medicine, Kumeyaay cultural leader of his time (19th century).

Paul Campbell captioned the old 19th century studio photo:

Painted Cocopa child. Note the design that results from scraping paint away with fingernails. Very old photograph. (From collection of Anita Alvarez de Williams.)

OLD MODOK INDIAN BOW ARROW

RECORDING THE HISTORY AND CULTURE:

Traditionally, Kumeyaay history and culture were passed down orally across generations through Singing and Storytelling, and recorded in painted pictographs and petroglyphs and granite sculptures.

These vessels -- passed generation to generation -- are how the Kumeyaay recorded and preserved their culture and history for future generations.

RECORDED HISTORY

The Yoni granite sculpture background in this composited graphic was photographed at Indian Hill, Anza Borrego Desert State Park in 2004 -- notice the dark aged paint, it must have been all painted up in original celebrated form. The rare Polychrome olla was found in the late 1900s in western Imperial County. The Petroglyph rock was photographed by Kelly Washington in 2004 at Vii Kwame, a sacred mountain for many of the Yuman tribes.

EARTH PIGMENTS PAINT CALIFORNIA INDIANS
DEEP DIVE into California Indian Culture...

OLD MODOK INDIAN BOW ARROW

Weaponry
INDIGENOUS CALIFORNIA Aboriginal Paint and Tribal Designs
, authentic southwestern USA Native American tribal patterns motifs designs of North American Indians, pictures old and modern traditional arts and crafts, including Native California Indian war clubs, Southern California Indigenous primitive weaponry.

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